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ME DECORATION 


1908 


ALFRED PEATS 
en Ze ee PAPE RS 


NEW YORK BOSTON CHICAGO 


RE FATO RY The object of 
this little vol- 

fo) ume is to present in a plain and practical 

form an exposition of the principal and 

re modern treatments in wall decoration. 

Sy 


It was thought necessary to devote a 


page to impress upon our patrons the 
importance of beginning with good and substantial wall paper, 
to insure appropriate and pleasing results in Home Decoration. 
Our purpose is to substantially embody ideas and designs in 
wall hangings which are of a character worthy of consideration. 


We have learned that the salutary influence of advice 
relative to early and advanced styles —especially on the eve 
of a new season—will be far more useful if accompanied 
with illustrations exemplifying the color, outline, motif and 
intention of the points in mind. 


As our chief aim has been to bring home practical schemes 
to our readers—who generally accept them as a safe source 
of authority in decoration—we have endeavored to fortify our 
claims by abundant proof in the pages that follow. 


We have thought proper to offer many treatments emanat- 
ing from our own views of decorating the walls, to add frequent 
examples of our individuality, at least as witnesses of the 
worth of these ideas. 


We trust they may be accepted by one and all, even by 
those who call in question their personal authority. ‘Though 
we have sought to be exact in all our suggestions, an occasional 
inaccuracy may have inadvertently crept in. 


Any emendations which our clientele may feoce to pro- 
pose will be gratefully adhered to in subsequent editions. 


NT ty ITIO The first edition of Home 
. Decoration was issued 
in January, 1905. From that time to the present 
almost one hundred thousand copies have been 


wD distributed in the United States, Canada, Mexico 
and the West Indies. 


23 = The gratifying results have surpassed our most 
ea A sanguine expectations and are consoling evidence 
that the search for new ideas, new examples of decoration, 
is not wholly neglected, even in this iron age, so much 


engrossed by varied considerations. 


Bear in mind what you gain in being conversant with all 
that is new in the decoration of interiors. Your gain is modest 
in comparison with your possible success, in knowing the 
proper things. 

You gain everything that is worth knowing, you acquire 
a full and connected knowledge of the advanced treatments 
in house decorating. 


You obtain possession of the thoughts of the best author- 
ities on decoration, and the advantages of their leadership. 
You are no longer “tossed about by every wind of competi- 
tion,” but firmly grounded on the rock of confidence. 


Would it not be extremely hazardous to make a long 
voyage in a ship where all the officers and crew are fiercely 
contending among themselves about the manner of explain- 
ing the compass and of steering their course ? 


How much more dangerous is it to trust to contending 
advisors in the journey to success? Nothing short of the best 
authority should satisfy you. ‘There should be no uncer- 
tainty. 

The influence should be discerning, “like the sun whose 
benignant light and heat are felt even in those secluded spots 
which its rays can but dimly penetrate.” 


» | 
) 


ARLOR In view of the unlimited offering of 
designs in Wall Paper for the parlor 
of the present day, it is refreshing to view one bearing 
a truly artistic embellishment, and which moreover, 


brings, as it were, ‘‘a breath of delightful atmosphere”’ 
about its furniture and draperies. 


MAK, 
’ 


m 
\ 


An exemplar of the latter kind may be found in 
the subject of our present illustration, which depicts 
an ““Adams’’ corner of the most important room. 

The object of the artist has been to establish himself in a real home 
and not in a shop, and more wisely to avoid crowding of furniture and 
bric-a-brac. 

To crowd a vast variety of furniture into a confined space is the 
act neither of an artist nor a good salesman, and we have been careful 
not to commit so unpardonable an error. 


There is no more remarkable indication of the improvement in 
public taste during the last few years than the avidity with which peo- 
ple purchase the more artistic designs in wall hangings. In fact, it 
also has been found no longer necessary to pay fancy prices for pat- 
terns even of peculiarly fine and delicate coloring. 


The fineness and delicacy of color, the subtlety of designing, the 
originality and grace of the accompanying illustration, is also a sig- 
nificant indication of the advancement in the manufacturing of wall 
papers to meet the well informed demand of public taste, which is so 
happily characteristic of our time. 


The design shown in the reproduction opposite is one of our new 
crown decorations, which may be paneled as presented, or hung in 
the usual way. The treatment shown affords an effect entirely differ- 
ent in the matter of decorating; simple, delightful and unusual. 


In an examination of our new sample books you will note the 
excellent quality and formation of this artistic wall hanging. ‘The 
design 1s also presented in soft shades of green. 


The illustration depicts: 


Wall Hanging, No. 3104 Ooze 6550 
Crown, No. 3105 Opaque 1512 each 


Stile, No. 3070 Nurse 3830 


SKETCH I 


| ou a 


rial 


Tiebarsoassttss 


— 


Pear Ors 


all concerned in 
art that is old, nevertheless, our attention is cen- 
tered in modern contributions. ‘The vast accumu- 
lations of all that is best in the art of past centuries 
» have been drawn upon and utilized in the presen- 
tations of today. 


ial! V I N Cc R () () M Although we are 


The care exercised in the selection of a line of 
ean Wall Papers, the employment of the most skilled color artists 
and of the most successful modern reproductive processes for 
illustrations, the purpose of which is to give a broader intuition of 
the merits of wall treatments, is strong evidence that a regard for 
the artistic is necessary to satisfy purchasers of wall decorations. 


As an example of interest and of decorative art, we offer this 
Living Room treatment. It would be difficult to excel it in quiet 
taste and distinction. It has the characteristic note of refinement, 
which is the cardinal and unchallenged point in the Alfred Peats 
decorative schemes. 


The cut-out ornaments are beautifully arranged, and while serving 
an artistic purpose, they are not allowed to lapse into obtrusiveness. 
Good taste and comfort are the obvious factors of this color scheme. 


That which pleases most and lasts longest is always the cheapest 
in the long run, and this is the principle upon which the selection 
of paper for this room was made. 


It is well to note the value of appliqueing designs in Wall Papers 
in various ways, as shown. ‘The finished effect adds materially to 
the decoration. 


The reproduction consists of the following: 


Wall Hanging, No. 3107 Opera 5545 
Crown and Base, No. 3108 Opinion 1210 each 
Panel Filler, No. 3107 (Plain part of it) 
Panel Border, No. 3417 Utility 100080 


Cornice, No. 3415 Union 125100 


SKETCH II 


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EV EN Ge ROO Vi 


a Add Owners of city and country houses 


often possess choice pieces of 
furniture which not only are worth a deco- 
rative background, but which require it. 


—_ > 
All 


JM ES IR It is acommon experience for the artistic 

@ values of these pieces to be wasted, or at 
least lessened, by contact with faulty and 
ill-considered schemes of decoration on the 
walls. 


Ae 


Incorporated in the page opposite will be found an illustra- 
tion depicting an invaluable treatment of the hall. The 
color-scheme enables one to decorate appropriately and adapts 
itself to modern woodwork. 


As you will note, the hall is dealt with in a manner that 
successfully takes up the note of the antique and blends it 
with the spirit of twentieth century comfort. 


The patterns shown and colorings introduced have been 
executed by well known manufacturers, whose. skill and 
resourcefulness is a matter of commonknowledge in this country. 


The dominant point of interest in this hall is the stair 
panel paper, not only blending harmoniously with the upper 
wall decoration, but forming a complete panel over each step, 
as you ascend to the landing, even panels until you pass this 
point and then elevating as the steps continue upward. 


Happily this stair decoration is just what is wanted, and 
a glance at this interior will convince you we have been 
successful in procuring a practical and simple panel effect for 
stair work. 
The color page depicts the designs that are noted below: 
Upper Wall, No. 3079 Oblige 5545 


Stair Decoration, No. 8165 Panel 6050 
Stile, No. 3187 Ortolan 5040 


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-INING ROO Nothing is more 


frequent in some 
of our homes than to see beautiful wall paper merely 
La hung on the walls without any attempt to harmonize it 
with the furnishings. 

Of course, in furniture, bric-a-brac, etc., it is the 
fashion to collect. Many purchasers have but little 
knowledge of styles and complete the appointments 
of a room with a sprinkling of Oriental, French, Old 
English, and Colonial pieces, a preponderance of periods and epochs. 
And all this incoherent jumble of articles is put in one room to fight 
it out as best they may. 

The sorting out of those that will be for the best adornment of the 
particular room and that will enhance each others beauty by a right 
companionship, is the proper step we should take. As the desire for 
such progress arises so will the intelligent pleasure in decorating in- 
crease, the learner will be unconsciously teaching himself and _ his 


advancement in this line will be rapid. 

As a matter of fact, artistic house decorating is not difficult. Styles 
are clearly defined, a good eye for color harmonies is quickly acquired, 
and as we aid you in a wide range of patterns and colorings, it should 
not be difficult to avoid glaring errors. 

The illustration showing a dining room is an example of modern 
taste and good judgment. ‘The cheerful fireplace with its molded 
frame is of venerable age and the beam ceiling has a fine Old-World 
effect. The ornaments, paneling and modern art frieze around the 
upper wall are a pleasing addition. The artist has been imbued with 
the right spirit and has left out nothing to break the homelike charm. 


The color sketch introduces the patterns as printed below: 


Lower Wall (appliqued), No. 3101 Onion 9070 
Plain Ground (under panel border), No. 3400 Unique 7560 
Beam Ceiling, No. 3401 Universal 150120 
Tree Frieze, No. 3152 Oxide 125100 
Panel Border, No. 3402 Uniform 150120 


The ornaments in panel are cut out from lower wall. he upper 
part of the lower wall is also cut out and hung on the plain background. 


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DINING ROOM 


KE D ROO The advocates of the 

“Simple Life’? of which 
we have heard so much of late—who try to convert 
their fellow-men from the error of their ways by 
teaching low-living and_ high-thinking instead of 
tl high-living and low-thinking—would gain more con- 
i verts if the surroundings were in keeping with the 

ee purpose to be obtained. 


No one could feel at ease in a room with dingy 
walls and ceiling. ‘The ‘Simple Life” and its chastened reticence must 
be symbolized in its surroundings, and, therefore, all those who seek 
simplicity and follow it should be grateful to the artist for having 
given his attention to the designing of a simple bedroom wall paper, 
whose beauty lies in the excellent color and material employed and 
the quaint severity of the ribbon details. 


Beauty and simplicity, or, to quote an authority in appropriate 
‘comfort, comeliness and cleanliness,’ are all embodied in 
this modern adaptation to modern requirements; yet it recalls the mode 
which gave expression to the tastes of our American people in the time 
of George III, a delightful example of the “Colonial feeling.”’ 


words— 


The wall hanging illustrated herewith is of such exceptional beauty 
and refinement that we have no hesitation in pronouncing it to be a 
unique specimen of the designers’ art and best work. 


As so fine an example of the season’s choicest designs is very rarely 
to be seen, connoisseurs should not fail to avail themselves of the 
opportunity of selecting this particular treatment for the chamber. 


The effect of the blue Chambray paper, with the ribbon border 
running along under the picture moulding, over the base-board, around 
the doors and windows and double in the corners, gives the room a 
daintiness and uniqueness seldom accomplished in the decoration of 
a sleeping apartment. 


The patterns included in the illustration are as follows: 


Wall Chambray, No. 3071 Nutmeg 3025 
Ribbon Border, No. 3072 Oaf 0605 per yd. 
Ceiling Border, No. 3072 Oaf 0605 


SKETCH V 


Reo 


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: 
| 


BED ROOM 


EK It must be obvious to all who have studied the 
‘ sketches known as interiors—in which the 
accompanying one is final, except one — that the artist 
has not only exercised great skill, but has shown an 
artist’s capacity of vision that enabled him to select 
designs worthy of consideration. 


In dealing as he does here with the internal char- 

EZ acter —Wall Paper — his taste and genius have found 
a scope of which full advantage has been taken. The general reader, 
no less than the specialist, will find in the pages of this volume a mine 
of examples of different periods of decorations. 

It would be interesting to speculate as to whether our readers value 
the text accompanying each color reproduction. Permit us to state 
that while you may overlook this part of the work, it is important that 
you read all of the descriptive matter. 


According to an unwritten law, certain instructions have to be 
included in a volume of this kind and our readers are left to judge 
the value of them, or take the liberty openly and “draw the blue 
pencil.” ‘To those of our readers who are averse to authoritative 
comments, will note the pages that follow are free from quotations, 
etc., merely descriptions. 


The appearance of the den shown opposite exemplifies the cozi- 
ness of this “nook of solid comfort.’ It gives one the impression of 
real intimacy with it, continually a joy for the eye to rest upon. It 
is all exquisite. 

It is one of man’s proud privileges, in spite of his daily battle with 
progress and development of business affairs, to forget it all in the 
seclusion and restful atmosphere of his den. As a companion, a fine 
old brand, perfectly blended—good to smoke and good to smell— 
that’s his friend. ‘lhe Den treatment portrays: 


Wall Tapestry, No. 3114 Opulence 3528 
Columns (16 yards), No. 3406 United 190150 
Straps, No. 3407 Under 100080 
Upper Wall, No. 3145 Oval 4032 
Ornaments (30), No. 3406 United 190150 


The column part of this decoration is printed 16 yards in a roll 
and sufficient caps or ornaments to correspond. 


SKETCH VI 


SKETCH VII 


Wall Hanging, No. 3063 

Crown Decoration, No. 3064 
Border (below card rail), No. 3418 
Cove 

Card Rail 

Woodwork 


Carpet 


A 
Bed Room 


Treatment 


Notary 3025 
Noun 1008 each 
Usage 125100 
3-inch White 
2-inch White 
White 

Pink and Gray 


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Wall Hanging, No. 3068 
Drapery Decoration, No. 3412 
Panel Straps ‘(part of No. 3412) 
Card Rail 

Woodwork 

Carpet 


SKETCH VIII 


Nugget 3025 
Urn 125100 


2-inch White 
White 
Green and Pink 


“alte Neca 


SCE TCHALEX 


A 
Library 
Decoration 


Wall Hanging, No. 3099 Omega 6550 
Crown and Base, No. 3100 Omelet 1512 each 
Upper Stems—part of Wall and Crown (appliqued) 

Background (under upper third), No. 3062 Notable 7560 


Plate Shelf 4-inch 
Cove 5-inch 
Woodwork Flemish Oak 


Carpet Oriental 


SKETCH X 


Suggestion for 
the Reception 
Hall 


Kok 
: LF 


Wall Hanging, No. 814 Mace 3225 
Crown (reversed), No. 1814 Mace 0605 each 
Cove 5-inch 
Woodwork Antique Oak 


Carpet Persian 


SKETCH XI 


S:W.ES:S. PAINE Description inside 


back cover 


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SKETCH XIII 


Decoration 


fora 
Dining Room 


Wainscoting, No. 3165 Panel 6050 
Upper Wall (plain part), No. 3149 Owl 5040 
Decoration (above chair rail), No. 3165 Panel 6050 
Woodwork Antique Oak 


Carpet Plain Brown with Shaded Border 


SKETCH XIV 


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Decoration, No. 3410 Uranus 125100 
Stile, No. 3061 Nostrum 7560 
Filler, No. 3062 Notable 7560 
Ornaments and Wide Band (part of No. 3410) 

Wood Cove 5-inch 
Chair Rail 3-inch 
Woodwork Dull Ebony 
Carpet Oriental Rugs 


SKETCH XV 


An Exquisite 
Parlor or 
Chamber 


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Drapery Decoration, No. 3409 Upward 125100 
Stile, No. 3063 Notary 3025 
Filler, No. 3065 Nourish 3025 
Ribbon, No. 3066 Noxious 0605 per yd. 
Panel Straps (part of No. 3409) 

Cove 3-inch 
Woodwork White 


Carpet Green Center, Floral Border 


SKETCH XVI 


A Dainty 
Guest's 


Chamber 


Wall Hanging, No. 6381 Upward 3025 
Crown, No. 6383 Uppish 1210 each 
Cove 5-inch 
Woodwork White 
Carpet Small Rugs, Plain Green, Hardwood Floor 


Nore:—This decoration is shown in Special Book (only). 


SKETCH XVII 


Adapted 
to the 
Living Room 


Ay 
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Upper Wall, No. 3149 
Lower Wall, No. 3408 
Stem Frieze, No. 3167 


Picture Moulding 
Chair Rail 


Woodwork 
Carpet 


~~ E 


Owl 5040 

Uplift 190150 

Owner 125100 

14-inch 

3-inch 

Antique Oak 

Oriental Rugs, Hardwood Floor 


yz | 
Favorite 
Parlor Scheme 


Wall Hanging, No. 822 
Cut Out Border, No. 1822 
Stile, No. 3142 

Panel Band, No. 3405 


Woodwork 
Carpet 


SKREPCH XVIII 


Madam 5040 

Madam 5040 

Ounce 3830 

Upright 125100 

Georgia Pine 

Seamless Rug, Dainty Tints 


SKETCH XIX 


Lower Wall, No. 3065 Nourish 3025 
Wall and Ceiling Border, No. 1560 Lady 2016 
Trellis Ceiling, No. 560 ; Lady 2016 
Picture Moulding 14 inch 
Woodwork White 


Carpet . Plain, or Small Rugs with Hardwood Floor 


SKETCH XX 


An 
Individual 
Dining Room 


Wall Hanging, No. 6264 Rake 7560 
Crown and Base, No. 6265 Rally 1512 each. 
Decorative Band (above plate shelf), No. 3403 Ultra 100080 
Background (under ornaments), No. 3147 Ovation 5040 
Ornaments (Part of Crown) 

Beam Ceiling, No. 3401 Universal 150120 
Woodwork Flemish 
Carpet Large Persian Rug 


The Crown Decoration is shown in Special Book. 


SKETCH XXI 


The Flower 
and Trellis for 
the Chamber 


Wall Hanging, No. 6304 Sachem 5040 
Crown, No. 6305 Sack 1210 each 
Plain Trellis, No. 6306 Saddle 4032 
Cove } 19 3-inch 
Woodwork White 
Carpet Pink and Green Interlaced 


This design shown in Special Book (only). Samples submitted upon request. 


SKRECH XX El 


A 
Dining Room 
Treatment 


Lower Wall, Lin-O-Wall, No. 163 C O Basketcloth 240 
Upper Wall, Duplex, No. 3137 Ortolan 5040 
Landscape Frieze, No. 3160 Pageant 125100 
Lower Upright Wood Strips 3-inch 
Upper Double Strips 24-inch 
Cornice, No. 3419 Urban 125100 
Woodwork Natural Oak 


Carpet Bagdad Wilton Rug 


SKETCH XXIII 


Surtable 
Sor the 
Hall 


cc 


See ee See 


Upper Wall, No. 3138 Osculate 5040 
Modern Art Frieze, No. 3146 Ovate 125100 
Decoration (paneled), No. 3414 Unit 125100 
Background (under Decoration), No. 3137 Ortolan 5040 
Ornaments (part of No. 3414) 

Picture Mouldings 14-inch 
Chair Rail 38-inch 
Woodwork Flemish 


Carpet Long Rugs, Oriental 


Appropriate 
for the 
Library 


* 


Stem Decoration, No. 3413 
Background (Upper Wall), No. 3057 
Lower Panel Border, No. 3422 
Filler, No. 3057 

Stile, No. 3058 

Cove 

Chair Rail 

Woodwork 

Carpet 


EI IE ILM HL LE 


a i A A A ca an A i a a lA a se ek 


SKETCH XXIV 


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Umpire 190150 
Noose 3025 
Unbend 110090 
Noose 3025 
Normal 3025 
5-inch 

38-inch 

Antique Oak 
Modern Art Rug 


SKETCH XXV 


Fruit Design, No. 3126 
Panel Border, No. 3404 
Stile, No. 3062 

Cornice, No. 3415 
Beam Ceiling, No. 3416 
Woodwork 

Carpet 


A Pleasing 
Dining Room 
Treatment 


Ordinance 3830 
Umbel 7560 
Notable 7560 
Union 125100 
Umbrage 150120 
Antique Oak 
Bagdad Wilton Rug 


SKETCH XXVI 


A Leather 
Effect for the 
Library 


Background, Lin-O- Wall (Elephant Hide), No.154 N Leather 240 


Nail Head Panels, No. 3441 Ursina 190150 
Tudor Rose Panel Border (part of No. 3441) 

Upright Wood Strips 38-inch 
Chair Rail 38-inch 
Woodwork Antique Oak 


Carpet Seamless Rug, Plain Brown, Shaded Border 


Psalms XCVI-! 


“Worship the Lord in the Beauty of Holiness.*°— 
It has been the custom from time 


\ HURCH immemorial to beautify and adorn 


edifices devoted to public worship. The Tabernacles 
and Synagogues of the Ancients and the Churches and 


Cathedrals of the Renaissance were decorated by the 
masters of those periods. Even in this age of Ultra- 
Commercialism, it is considered proper that our 
churches be pleasing to the eye; and pride in the beauty 
of our place of worship is as essential and commendable a Christian 
attribute as meekness and lowliness. 


The illustration on the opposite page presents a very handsome, 
yet simple and inexpensive decoration for a church. The character of 
the design is such as to make it especially appropriate for the purpose 
shown, and one that can be used with equal propriety for Lodge 
Halls, Theatres or other public buildings. 


The colors are in subdued shades of gray, relieved by stencil effects 
in white. The various parts of the combination are so designed as to 
permit of a wide range of treatments, and will adapt themselves readily 
to almost any interior of ordinary arrangement; however, where any 
doubt exists as to the suitability of the pattern for any particular pur- 
pose in view, our Decorative Department may be called upon at any 
time for advice. Samples and detailed drawings will be furnished when 
the necessary information accompanies the request. 


The pulpit decoration, while not essential, adds considerable to 
the general effect, and may be introduced or omitted as personal taste 
and wall space would suggest. 


The pattern numbers and prices of the various parts of the com- 
bination are as follows 


me ia ae 3% 2% 23 4 o Rao: So 2g a3 o 

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Columns, | 3442 43 |... | 16 | 190150 roll |Usk Pulpit Col’m| 3448} 10 ].. Bene 2520 yard|Uxbridge 
Caps & Bases} 3442)... | 114 | 30c,aps Cornice 3449) ... | 103]... 2520 yard|Uno 
Arch 3443) 374 | 272 |... 5040 each | Utica be { C-15 ) 6050 Dair \Tmaus 
Ceiling 3444)... 8 3830 roll [Utopia |] C@P & Base | 3450, | B-11 § ta 
Stile SAAS S20 | 8 3025 roll |Ultuado |} Pulpit Arch | 3451) 9'6"|4'9"| ... | 500400 each|Upham 
Filler 3446). 8 3830 roll |Uvalde Pulpit Scroll | 3452) 574] 29 190150 each Upsala 
Panel Border 3447) 5 5 24 | 125100 roll |Uvas Pulpit Filler | 3455 6050 roll |Undine 


SKETCH XXVII 


Kiaisiainia 


CT UeR Gil 


SKETCH xX XVIII 


3416 3401 
3415 3419 
RS oY As ST ee eee 
eo! our TS Aan er Specie fe 
3420 3421 
si al cates Naas sae Nees a Nauiss a Saaeie a eae SES aie aed tales ASR oi a Nite 5 Sasi SE SCS ee 
a Wako Nake Nana oan eels eee gee MEEK cae Lip rae as Sot, a ain eet nat aise Genailirt Nain 
i sleccivioNuelralgaw ia hunlitatunttlateude lata "aSietichaSwa lan ’ac alin Solin Nala Saal haul ibaa Semel i 
3072 
3075 
3066 
3069 
3418 


: No. of 
Referto : . Width |Referto] No. of | No. of : 
Orna- | Price No. | Telegraph ||Pattern Orna- | Price No. | Telegraph 
f Band] Sketch| Yard of Band| Sketch} Yards |Corners x 
No.l Tacnoulie Novaiheaieell nents Beyer Code No. | Inches o. | in Roll | in Roll eee per Roll Code 
3066 4A 15 SOR gear ae eee es 0605 yd|Noxious 3413 Qt 24. BORE lGcren.cip larder ote 190150 |Umpire 
3069 eT all Sere SO hee Weert ceed ibco.cokonc 0605 yd|Numb 3414 | 10 93 BO er seea Epos 2 
3072 | 4 GL PSOne ena eeney 0605 yd|Oaf STN U ei 0S in porte tice ae Ea pen in OR: 
3075 AAV ile eraretay oO Allee crene ae) lieke emewete 0605 yd|Obelisk 3415 9 25 LOM |S ereesolepre oes 125100 |Union 
3401 54 4 POM | tiers 12 /|150120 Universal ]} 3416 54 95 L6O eee 12 150120 |Umbrage 
3403 | 5 20 16 (tudor rjose) 3418 | 9 7 16M ose 125100 |Usage 
3403 | 2 Boum aoniadthealdees (aces caens ae 3419 | 9 Bot A 1BeN ccmineeh milane 125100 |Urban 
3406 44 6 LG 9 liater sane 30 {190150 United BuO) |) OE ooo oon toa IMenyee he ay l 
SAGE Poke Eli ONG al nents 12 |190150 |Uplift Wow) wel ke 30 sees Tony p beeloo” EU bly 
3409 | 104 15 Se gee Joao al SAQT | MOS™ alee ee Sia | suctetie ists Saud is : 
409) | Ek ce bad BOL as ei 125 100% 1 pward hs cori 1s aly ee es eth | 00 | eure 
3412 | 104 8 coh Miser seh 3441 5 26 16 (tiudor rose) | : 
3412 | 14 Sal x30 Aer eh: t 125100 {Urn 3441 | 2 26 PRESEN LEE 0) 
Pte 190150 _|Umpire 


SKETCH XXIX 


ver SA 6p AANA A AAI 9 AAA AAAIO ep AANA NING eg LCA 
slo os EOC OOK 0.4 sdlesovocereleceseees 

yi OOOO WOOD OOO OOOO 10.0. Sf 
Sy 13 SEE cs (ronerenonovononer el nonereneae a tblone 


OOl 


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lO GOO O OOO ole 
WOO 0000001 


idth Forte er ; No. of ; VW: No. of 
pager] iota er] Novet[Nozet| Oras | rrce No. | Teletam | Patera] FH eter] No.of [NO.OF] Sei | price No. | Teeeaon 
Inches} No. |in Roll] in Roll PROT * |Inehes| No. |in Roll}in Roll ee per Roll Code 
3402 | 24 4 ACSA CE ey toca Veaes 28 dr 150120 |Uniform SAO Sao en olen ABO | cen 110090 |Ulm 
3404 3 11 ASA lieaehces ilteae ake 7560 |Umbel 3429 QI Mitek gs oye ALS yearn titans. Sam 100080 |Ulster 
3405 2, 18 ya || aztetes ciliate & Mare 125100 |Upright 3430 Peal lloras ee Aas Wetec celoiants ¥e 7560 |Ulman 
ah = ey ae adh ea 100080 |Under 3431 D pane ae A te elles diet CHI rete 7560 |Ulysses 
3432 PAO VA 05 eee AN ee Wieeeons Selene ces leat 7560 |Umatilla 
Silos| 2" sikevw) Varta weit es H25100 Wiranus Wey) oo Dea OR 7560 |Unaka 
3411 3 12 LOY Nee Sosa ieee cee 7560 |Urgent AS Aran oer a. dite ll Sur Gaovetol iastaead ae 125100 |Uncas 
3417 DA Pee Bethe CWA Bee eas ll RS 100080 |Utility 3435 DN Ml eet ores (CUR Tiles Sense, Sees 100080 |Upton 
3422 34 24 A Oia Ae aya oibecks, tee 110090 |Unbend 3436 DLS Baya ok 30 Ga eee 100080 |Ural 
3423 1. Uns eeeee INOS Wr Beet kala ce ae 100080 |Udall 3437 la Bape 2 Vises Le BRA reo Ue ae 7560 |Urania 
34.24 anleeitee OOS RR ea aN eso agee 100080 |Udora 3438 iting | rae Nee 2 Bare teil 2 en rele ae 7560 |Urbana 
3425 ig Meeps 2S OS \ooree eee eee eee 100080 |Uhland 3439 De asta ditines AS Nee ae ssd sores: 7560 |Uriah 
ON altars Ai Sige eae oil eo. 100080 |Uledi 3440 DAN inate eee, AO iy este steel eaetctorats 7560 |Ursa 
Dake Faia ses AD. eae cceral abe 100080 |Ulen 


ATA for SKETCHES XI & XII 


The two full page panels, shown as sketches eleven 
and twelve, are submitted for the purpose of 
establishing in the minds of our readers the ex- 
quisite beauty of this style of decoration. 

On the left-hand page is shown the Swiss panel, 
one of a series which consists of twenty-five differ- 
ent subjects, each one equally as attractive as the 
one presented. They may be used as a continuous treatment, or 
treated as suggested in plate, with paneled decorative border and stile. 

Each panel trims 37 inches in width and with full length nine feet, 
although so arranged (due to sky-line) that they may be successfully 
reduced, without altering the completeness of the panel, to a height of 
54 to 6 feet. 

As there is no repetition in the subjects of this series, it is, there- 
fore, plain to observe that in ordering it is impossible to send the exact 
panel illustrated. It is true, however, there is no choice in any panel 
of a series. 

Each has a distinct value,and in ordering you will receive assorted 
panels, equally if not more beautiful than those illustrated. 

The panel shown on the right-hand page is one of a series known 
as “‘The Orient,’’ and also consists of twenty-five different scenes and 
in the same sizes as the Swiss series, but depicting Oriental life. A 
synopsis of the two series are as follows: 

The Orient scenes comprise panels such as wild trees, mosques, 
and figures of men and women in Oriental dress. 

The Swiss scenes emphasize landscapes, mountains, rivers, valleys 
and Swiss houses. ‘The sketches are executed in the manner described 
below: 


SKETCH XI 


Swiss Panels, 500400 each 

Panel Border, No. 3404 Umbel 7560 

Stile, No. 3151 Oxalic 5040 
SKETCH XII 

Oriental Panels, 500400 each 

Panel Border, No. 3411 Urgent 7560 


Stile, No. 3147 Ovation 5040 


MANZ ENGRAVING COMPANY, THE HOLLISTER PRESS, CHICAGO 


